Mystery Alaska

We watched the H'wood movie "Mystery, Alaska" last night, a cute and familiar story of small town rural America vs what? dehumanized, de-passionized, urbanized, corporatized America I suppose. Almost a Red State / Blue State contradiction without the false moralism (they drink and screw a lot in Mystery). The hockey players of Mystery (Nature = mystery) skate on the river and play on pond ice surrounded by majestic mountains and forests. The New York Rangers play indoors arena hockey with boards (fences) and overlaid lines (cartesia) on the ice. A kind of Lake Woebegone, the women are wholesome and fresh, the men strong and virile and honest (except for the one who left to go to the big city, and returns as an outsider.) The town is beset by a Walmart-like company ("PriceWorld") trying to invade the town, a store clerk's "accidental" response is to shoot the PriceWorld representative (who clearly articulates the contempt of corporate America for, well, Americans).

I was reminded of the polarization of town and country that Marx describes in many places, one of the destructive consequences of capitalism. And that that polarization itself a reflection of, or an aspect of, and/or a contributor to, the alienation of humans and Nature that also accompanies capitalism. Which is likewise an echo of the alienation of humans-as-workers from the production process and the fruits of their labors. (see e.g., John Bellamy Foster's Marx's Ecology.)

Some additional thoughts on this:

One -- alienation as a kind of connection, or anti-connection.

Two -- the appeal of "country" music to city folk as a yearning for healing the human/Nature rift. Of wanting to be closer to something that sounds like Nature. I know squat about country music in general, but I understand that it comes out of rural laboring, whether white agricultural labor ("country" music or "cowboy"/"western" music) or black agricultural labor ("blues"). The sensuous body; the alienation, exploitation and poverty; music as expression...

Three -- the danger of the idolization of rural Americans as People of the Earth, the volk, real Americans vs the urban invaders, aliens, violators, spoilers -- the roots of ecofascism. Instead of recognizing that the destruction of rural life is intimately connected with, is the flip-side of, the destruction of urban life...

jd